Epitaph – Mikis Theodorakis

1st Sacred Music Festival, 18 & 20 April 2022

The death of driver Tassos Tousis during the tobacco workers strikes in Thessaloniki in 1936 and mainly the photograph of his mother lamenting over her son’s dead body that was published in newspaper Rizospastis the following day inspired Yannis Ritsos to write a series of heart-wrenching poems titled Epitaph.

Mikis Theodorakis set eight of them to music in Paris in 1958. The paradox is that that two years later, in 1960, two recordings of these poems were almost simultaneously released. The one was orchestrated by Manos Hadjidakis and sung by Nana Mouskouri, and the other was orchestrated by Mikis Theodorakis and sung by Grigoris Bithikotsis. It was the latter that went down in history and brought about a real revolution in the Greek music scene. Theodorakis’ setting, which manages to musically portray every single word of Ritsos’ riveting verses, the combination of high poetry with popular (in the sense of people’s) music and bouzouki, as well as Bithikotsis’ moving performance are the key characteristics of a work that is considered a milestone in Greek discography.

In this concert the eight songs are performed non-stop, as parts of an unbreakable song cycle. The lament of the mother (soloist) is combined with the dirge of the female chorus, while the introduction of the song “Mera Mayou” (On a May day) recurs as an obsessive idea (idée fixe) throughout the work, hinting at the final farewell procession.

Acropolis Museum

The Acropolis Museum is situated about 300 metres south-east of the Parthenon in the historic area of Makriyannis and its entrance is next to the Dionysiou Areopagitou pedestrian walkway that links several archaeological sites of Athens. It first opened its gates to the public in 2009 and it houses the archaeological findings from the Acropolis and its outskirts. The Museum’s exhibition, organised according to topographical, chronological and thematic criteria, offers visitors a full picture of the site and its history during antiquity. Moreover, the building, which was designed by architects Bernard Tschumi and Michalis Fotiadis, ensures the visual connection of the Museum’s exhibits with the rock and the monuments of the Acropolis, aiming to become the continuation of the natural and built environment.

Stathis Soulis conductor
Yannis Belonis arrangement
Natassa Bofiliou voice

Marina Satti artistic direction of chórεs
Ειrini Patsea, Simela Emmanouilidou music direction, instruction of chórεs
Nadia Samara, Eleni Gianni chórεs post production

Maria Sifneou oboe
Stephanos Theodorakis percussion
Korina Vougiouka guitar
Yannis Belonis piano
Yannis Athanassopoulos viola
Michalis Kontos cello
Nafsika Tsara flute
Oswald Amiralis double bass

With the participation of chórεs:
Fotini Varelaki, Despina Georga, Dimitra Yakoumaki, Konstantina Yannopoulou, Liana Giozou, Matina Gleni, Yulie Danigeli, Patty Dedousopoulou, Marina Emmanouilidou, Anthi Efstathiou, Irini Zoutsou, Georgia Theologidou, Maria Kazala, Irini Kampanou, Irianna Kanteli, Georgia (Jo) Karandinaki, Anastasia Karachristou, Natalia Katsimani, Nikoleta Kitsiou, Despina Kontozani, Katerina Koutsonikola, Chryssa Koutsonikola, Arielle Krarup, Vassiliki Konstantellou, Anastasia Konstantinidou, Tonia Lappa, Alcmene Basakaros, Stefani Neophytou, Georgia Dokou, Daphne Pagoulatou, Paraskevi Papakonstantinou, Emilia Papapetrou, Ino Pikioni, Avgi Roussoyannaki, Natalia Routsolia, Nadia Samara, Marina Skoura, Danae Stergiou, Dimitra Syllouri, Pelagia Tragari, Thomais Triantafyllidou, Lina Troubouni, Eleni Tsami, Katerina Hadjiathanassiou, Eleni Chryssikou